Document Type : Research Paper

Authors

1 Associate Professor of Persian Language and Literature, Faculty of Literature & Humanities, Semnan University, Semnan, Iran

2 Ph.D. in Persian Language and Literature, Kashan University. Kashan, Iran

Abstract

The use of historical and mythical characters in poetry that have an ancient background helps poets to convey their feelings and thoughts more easily to the reader. On the other hand, the reader can better understand the meaning by understanding the similarities between the historical characters used in the poem and the meaning desired by the poet. In this article, we intend to examine the new themes in the works of Alireza Ghazveh using the technique of calling characters.
In this article, first, the heritage characters in Qazveh’s book are examined, then, the type of heritage, the poet's purpose, and the function of those heritage characters will be examined.
Heritage characters have a significant presence in the poems of Alireza Qazveh. Ghazwa sometimes conveyed meaning by them, sometimes addressed them, and sometimes interfered with their characteristics. In general, there are 17 heritage characters in Eshqhe Alaihes-Salam by Qazveh. These characters can be divided into three categories: religious, historical and mythical. Meanwhile, the frequency of mythical characters was lower than that of religious and historical figures. The poet also communicates with these characters in two ways; first, the expression of heritage; i.e., using them without interfering with their personality dimensions or characteristics. Second, the recreation of them. These characters have some functions in Qazveh's poems. Describing, depicting, expanding the meaning along with brevity, depicting the condition of martyrs and veterans, criticizing the current situation of Muslims and the Islamic world and recalling the past glory of Muslims are among the functions of heritage characters in Alireza Qazveh's poetry.
The results of this research could be effective in the new reading of Qazveh's works. It can also give a deeper understanding of his work.
 

Keywords

Alebooe Langroodi, A., & Amiri, M. (2017). Call of religious characters in contemporary resistance poetry. Lesan-e Mobin, 20, 25-44.
Al-Korki. Kh, (1989). Traditional symbols in modern Arabic poetry. Beiroot: Dar-ol-Jeil.
Arab, A., & Hesari, M. (2003). The presence of prophets in contemporary Arabic poetry. Arabic Language and Literature, 1, 117-139.
Arafat Zavi, A. (2004). The function of tradition in contemporary Arabic poetry. Mashhad: Ferdowsi Uni.
Barakat, V. (1409). Safahat Moshreqha men torasena al-bahri. Al-Toraso Al-Arabi, 35, 117-138.
Bitar, A. (1987), Salahoddin Ayoobi. Al-Fekr Al-Esterategy Alarabi, 35, 110-125.
Daad, S. (2000). Dictionary of Arabic terms. Tehran: Morvarid.
Fotoohi Roodma’jani, M. (2005). Balaqhat-e-Tasvir. Tehran: Sokhan.
Holy Qur'an. (1956). (A. Mesbahzadeh, Trans.). Tehran: Javidan.
Hossini Mo’akhar, M., & Nejat, H. (2016). A comparative study of protest theme in Ahmad Matar’s and Alireza Ghazve’s poetry. Comparative Studies of Persian and Arabic, 2, 39-66.
Ibn Hesam Khousfi, (1984). Divan-e Ashaar (A. Ahmadi Birjandi., & M. Salek, Rev.). Khorasan: General administration of Hajj and Charity Affairs.
Javanshir, M. (2010). A comparison of typology in Messianism in Christianity and Shia. Entezar-e Mo’ud, 34, 144-119.
Kendi, M. (2003). Symbol and mask in modern Arabic poetry. Beiroot: Dar-ol-Kotob Al-Jadid Al-Mottaheda.
Majlesi, M. (n.d.). Behar-ol-anvar. Beiroot: Dar Ehyae Al-Torath Al-Arabi.
Mirsadeqhi, J. (2015). Narraqtive elements. Tehran: Sokhan.
Moeen, M. (2007). Moein Dictionary. Tehran: Zarrin.
Nafisi, A. (1976). Nafisi dictionary. Tehran: Khayyam.
Najafi Eivaki, A. (2012). Techniques of calling traditional characters and expressing their implications in Amal Donqhol’s poetry. Arabic Literature, 3, 17-46.
Nasir, A. (1428). Qhiadato bani moheba va sanaa Salahhddin nemoozajan. Afaghos Seqhafate va Torath,  59, 61-69.
Nemati qhazvini, M. Siavosh, S., & Jadidi, L. (2016). The function of religious characters in Nazek Malaeke’s va Tahere Saffarzade’s poetry based on interaction with character method. Kavoshnameh-ye Adabiat-e Tatbiqh, 23,153-182.
Parnian. M., & Fattahi. S. (2014). Theme making and depiction with geographical data in Ebtehaj’s poetry. Literary and Rhetorical Researches, 6,76-86.
Qhazve, A, (2012), Eshqh Alaehe Salam, Tehran: Sooreye Mehr.
Sarbaz, H. & Ariyadoost, H. (n.d.). Call of Quranic characters in the novel toyooro alhazare Ibrahim Nasrollah. Al-Jamiea Al-Irania Le-Loqhate Arabia, 25, 79-112.
Seyed Nazari, B. (1997). Epigrammatism and va theme making in Persian literature and poetry. Shenakht, 21, 141-127.
Shamisa, S. (2011). Dictionary of allusions. Tehran: Mitra.
Shando A. (2000). Salaheddin (4th ed., M. Qhazi, Trans.). Tehran: Qhiyam.