Irony and intertextuality in the historiographic metafiction of the novel "Assassination Attempt on the Imperial Essence" based on Hatchen's theories

Document Type : Research Paper

Author

Assistant Professor, Department of Persian Language and Literature, Islamic Azad University, Shahr-e-Quds Branch, Iran

Abstract

Reza Jolaei’s novel The Assassination Attempt on His Majesty’s Life, through its norm-defying language, self-conscious awareness of textual historicity, and extensive use of layers of verbal irony, can be situated within Linda Hutcheon’s theory of “historiographic metafiction”. Emphasizing the representational nature of history in postmodern literature, Hutcheon regards irony as a device that creates a critical distance between narrative and reality. This approach is clearly identifiable in Jolaei’s language, ranging from decorative allusions to constructive irony. This study aimed to examine the functions of verbal irony and intertextuality in this novel and to analyze them from linguistic and narratological perspectives to clarify how fictional and documentary elements are integrated in the reconstruction of historical resistance. Employing a descriptive-analytical method, the study focused on textual evidence, narrative structure, tone, and intertextual references. The findings indicated that Jolaei, through the use of anachronism, the fusion of historical and fictional characters, and the juxtaposition of colloquial language with intertextual imagery, constructs a multilayered and critical narrative that simultaneously challenges history and utilizes the capacities of language to generate new meanings. The novel represents a successful convergence of language and history within the framework of historiographic metafiction, rendering the boundary between fact and fiction fluid and inviting readers to reconsider established narratives of people’s resistance throughout history

Keywords


Dejban, F., & Bagheri, B. (2018). Classification of Metafictional Features: Focusing on Short Circuit and Exposing the Literary Technique. Literary Text Research, 22(78), 219–246. (In Persian).
Horri, A. (2019). A Study of the Position of Arnold’s Adaptation of Shahnameh’s Rustam & Sohrab in the English literary Poly-system of Victorian. Literary Criticism, 12(47), 63–87. (In Persian).
Hutcheon, L. (2017). A theory of adaptation (M. Khodakarami, Trans.). Tehran: Markaz. (In Persian).
Javidshad, M. (2019). Adaptation and protest: Denaturalization and postmodern constructivism in Edward Bond’s Lear. Ta’ssor, (76), 109–128. (In Persian).
Jolaei, R. (2019). The Assassination Attempt on His Majesty’s Life (6th ed.). Tehran: Cheshmeh. (In Persian).
Lewis, B., et al. (2006). Modernism and postmodernism in the novel (H. Payandeh, Trans.). Tehran: Rouzegar. (In Persian).
Mousavi, R., et al. (2022 The Manifestation of Struggle and Revolution in the Novel "Red White” by Mehdi Yazdani Khorram Based on the Views of Linda Hutcheon. Journal of Resistance Literature, 14(27), 229–258. (In Persian).
Qandahariyun, A., et al. (2016). A comparative study of James Joyce’s “The Dead” and Ali Mosaffa’s film The Last Step. Academy of Persian Language and Literature, (4), 117–129. (In Persian).
Sadeqi, M. (2018). Historiographic metafiction with an emphasis on Siavash Kasraei’s The Red Bead. Baharestan-e Sokhan, (41), 185–200. (In Persian).
Stanford, M. (2013). Philosophy of history (A. Golmohammadi, Trans., 6th ed.). Tehran: Ney. (In Persian).
Stanford, M. (2015). Literary criticism and democracy (2nd ed.). Tehran: Niloufar. (In Persian).
Tabrizi, J. (1983). Historical secrets of the Punishment Committee (2nd ed.). Tehran: Kavian. (In Persian).
Taheri, S., & Nobakht, T. (2017). From the mytho-historical Arash to Beyzai’s performing Arash. Nameh-ye Farhangestan, 18(1), 75–90. (In Persian).
Tamaddon, M. (1971). The history of Urmia. Tehran: Tamaddon. (In Persian).
Waugh, P. (2018). Metafiction (Sh. Vaghfipour, Trans., 2nd ed.). Tehran: Cheshmeh. (In Persian).